The Risky Art of Balancing Creativity: Writing Without a Script

Have you ever sat down to write without a specific topic in mind?

I often do this, and while it might sound unstructured, I’ve found that it leads me to some of my most valuable insights. Today, I decided to give myself a ten-minute writing session without a clear plan, just to see where it takes me.

For me, this approach isn’t just about filling the page — it’s a way to break free from predictability. I’ve realised that in writing, painting, or any creative pursuit, breaking away from what’s ordinary is essential. People, including myself, seem to enjoy variety. When everything feels too predictable, people tend to lose interest, and the effort can start to feel ignored.

That said, I’ve also discovered that finding the right balance between novelty and familiarity isn’t always straightforward. While surprises in creative work can keep things fresh, too much of it might feel overwhelming or disconnected.

For instance, in my own writing, I’ve noticed that when I stray too far into uncharted territory, it makes my work less relatable.

I once shared my journey of overcoming academic failures in a school magazine to encourage the students. In an initial paragraph, I told them how miserable those setbacks made me feel, and before telling them the positive things emerging out of them, I wrote:

“Changing the paragraph here because now I want to show you the other side of the picture!”

This technique didn’t go well with many readers. It was unconventional.

On the other hand, sticking too closely to what’s conventional makes it feel bland. See this:

Start with an introduction consisting of 3 sentences. In the body, write 3 paragraphs, each consisting of 5 sentences, adding “Firstly,” “Secondly,” and so on. In conclusion, summarise the entire text in 3 sentences.

Do this if you want the reader to click away.

Both these approaches, you might know, are flawed.

I’m still experimenting with how to walk this fine line. I’ve come to believe that creativity flourishes when there’s a blend of the unexpected and the familiar. It’s not about following strict rules — I don’t think any such rules truly exist — but about aiming for a balance that feels right.

Being Conscious of My Writing

As far as writing is concerned, I try to remain conscious of a few things. I’ve started paying more attention to eliminating clichés and unnecessary wordiness, as I’ve found these can water down my ideas.

I keep my ears alert for clichés. Sometimes I read subpar publications and notice what expressions people around me are repeatedly using. Some hackneyed ones that I’ve singled out are:

• Down to earth
• Hats off
• Jewel in the crown
• Apple of the eye
• Awesome time
• Rampant corruption

I keep myself on high alert to avoid such expressions while writing, and afterwards I reread to expunge if a cliché has sneakily found its way inside.

Clarity, too, is something I’ve been working on — it’s not always easy, but it feels essential if I want my writing to make an impact.

Enjoying the Process

I’m not claiming to have all the answers. These are just things I’m discovering along the way, and I’m still figuring out how to apply them. Writing, for me, is a process of trial and error — an ongoing experiment.

So, when I sit down to write, I remind myself to keep exploring. Some days I get it right, other days less so, but every attempt teaches me something new. Creativity, I feel, isn’t about perfection. It’s about learning, adjusting, and, above all, enjoying the process.

What About You?

What steps do you take to make your work creative? Do you use any specific guidelines to maintain balance between novelty and familiarity?

Anyone wanting their work to stand out can’t escape this balancing act.